This article has rounded 11 Reaktor instruments and 11 ensemble effects for you. It allows for almost unrestrained deep sonic exploration. Now, to answer the main question, NI Reaktor is a DSP environment where you can build your patches using blocks ( modules ). Moreover, modular synths are ideal for making your own instruments ( Physical modeling even mimics real-world instruments ). With the current technological advances, modules have become more versatile, and patching tons of modules together doesn’t take much space and is feasible. Regardless, new modular synths like Eurorack started gaining widespread acceptance. Who made it first is a widely debated topic to this date. The roots of modular synthesizers go back to 1963, with Don Buchla and Bob Moog getting separate credits for their creation of it. The user gets complete control over the layout and signal path for both audio and modulation. We call these functions Modules that are linked together to create a Patch. The idea here is to have different functions be chained together elaborately. This aids in keep the tracking accurate across the range of the neck.To understand NI Reaktor, you must first know about modular synthesis. This is a filter that changes value when you play on or around the 5th to 7th fret. You will notice in the upper left hand side, the movement of the "adaptive filter" copied from the GR-300. The GSynth2 ensemble has a lot of cool graphics, mostly related to the operation of the pitch-tracking system. You need to set this correctly! If not, you will get very poor results, or it will not work at all. You can set each instance for "A" or "D" etc. On the GSynth2, there is a tiny toggle in the upper left hand corner. Learn more about the GR-300 tracking system. In the original GR-300, this is set by the value of a capacitor in the initial input. On the software side, I open six instrument tracks in Digital Performer and insert the Reaktor plug-in on each track.Ĥ) How to set up your hardware: On the hardware side, I use a MOTU 2408 interface, and take six outputs from the GK-Expander, and plug into the first six inputs of the 2408.ĥ) String Settings (Very Important!): You need to select the string type for each instance! One of the reasons that the GR-300 works so incredibly well is that each string has a specific input filter to maximize the operation of that string within a limited frequency range. You can do this in the Reaktor environment, or you can open multi instances in DAW software. Since the GSynth2 is monophonic, you need to open six instances to create a polyphonic guitar synthesizer. The tracking algorithm is based on the blindingly fast analog pitch tracker of the Roland GR-300." Scroll down and you will find "Guitar Synthesizer".ģ) How to set up your software: As Mark notes, this is a "monophonic guitar synthesizer that processes audio input from an electric guitar. Notes on the Native Instruments GSynth2 (Guitar Synthesizer) created by Mark Smart:ġ) The GSynth2 is monophonic: The GSynth2 ensemble works for one string only, so you will need to open six instances of Gsynth2 to create apolyphonic guitar synthesizer.Ģ) Where to find the GSynth2: It is not in the Reaktor user library, but you can find the Native Instruments Reaktor ensemble on Mark Smart's page dedicated to Reaktor: I've got reaktor as part of Native Elements, can I import such a script/instrument? Really super! I like that! Thanks for posting! Quote from: Guitarpolson on January 24, 2013, 02:40:33 AM The tune is "Waltz" by Ferdinando Carulli, I did the performance in one pass, it is a painfully simple classical guitar composition, but had a lot of fun with manipulating the sounds in Reaktor: To do this demo, I used my GK Expander breakout box, then ran the output into six inputs (one per string) of a MOTU 2408. With a little work you can create something that exceeds the power of any commercially made guitar synth. are from the Reaktor tools, so it can easily be expanded to incorporate the stunning range of multi-mode oscillators, filter, etc. I used the Gsynth ensemble created by Mark Smart, it is modeled after the Roland GR-300 pitch detection, and it does some really outstanding guitar synthesis. While I love the VG-99, Reaktor from Native Instruments has easily as much potential as the current Roland gear.
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